Categories:

Violin Lab Beginning Method
Beginning Repertoire
Intermediate Repertoire
Watch Ahead Videos for Beginners
Intermediate Technique
Advanced Technique
Advanced Repertoire
Right Hand Technique
Left Hand Technique
Left / Right Hand Technique
Interviews with Experts
Practice Strategies
Exercises and Technique Studies
Performance Skills
Webcasts
Audio Files
Christmas Carols

Topics:

VIBRATO
Suzuki Book 1
Suzuki Book 2
Suzuki Book 3
Suzuki Book 4
Bow Hold and Bowing Issues
Bowing: Articulation and Styles
Double Stops
Left Hand Issues
Intonation
Practicing
Scales and Arpeggios
Shifting
Etudes
String Crossings
Tone Production and Expressive Technique
Workshop 2012 Videos

Tag Words:

4th finger
A major scale
accents
accuracy
advanced level
Are You Sleeping
arm level
arm vibrato
articulation
Aurelien Petillot
B flat scale
beginning exercises
block fingerings
body movement
bow arm
bow control
bow distribution
bow hold
bow placement
bow pressure
bow speed
bow tilt
bow weight
bowing straight
bowing: playing at frog
bowing: playing at tip
broken thirds
care and maintainance
Christmas Carols
classical shift
cole bow stroke
Colleen McCullough
coordination: left and right hands
coordination: left hand
coordination: right hand
crossing strings
Dan Kolbialka
Daniela Shtereva
detache
drones
dynamics
electronic tuner
Elise Winters
Equal Temperament
etudes
expression
fifths
fine tuners
finger action
finger motion
finger placement
finger preparation
finger pressure
finger shape
finger spacing
finger spacing patterns
frog
frog
G major scale
guide tapes
harmonics
hooked bowing
independence
instrument set up
intervals
intonation
Jessica Mathaes
Just tuning
Kirsten Yon
Kobialka
Kreutzer
Laurie Scott
left hand placement
left hand squeezing/clenching
left thumb
legato bowing
marcato stroke
martele stroke
Martha Carapetyan
metronome
note names
octaves
Paula Bird
pegs
pizzicato
playing at the frog
playing forte
playing loud
playing soft
positions
posture
practicing
Pythagorean tuning
relaxation
retakes
rhythmic training
right thumb
rosin
sautille
scales
shifting
shoulder pads
Simple Gifts
slurs
sounding point
spiccato
squeezing: left hand
staccato
Stephen Redfield
string crossings
strings
Suzuki
tension
tension: left hand
tension: right hand
tone
tremolo
trill
tuning systems
tuning the violin
up bow staccato
vibrato
viola technique
violin hold
warm up
whole bow stroke
Wohlfahrt Etudes
wrist vibrato

Videos

1 Watch This If You Are a Beginner and New to Violin Lab
2 Instrument Set Up
3 Best Practices for your Best Practices: creating effective practice sessions
4 Putting Guide Tapes on the Violin
5 Tuning the Violin with Electronic Tuner
6 Tuning the Violin with Fine Tuners
7 Shoulder Pad Styles
8 Putting on the Shoulder pad
9 Adusting the Bon Musica
10 Tuning the Violin in Fifths
11 How to Hold the Bow
12 Bow Hold Exercises
13 Tightening the Bow
14 Rosining the Bow
15 Violin Hold
16 Comfortability Issues
17 Note Names of Open Strings
18 Bow Geometry
19 Preparing the Bow Arm
20 First Bow Strokes
21 Guided Practice Introduction
22 Guided Practice #1:Playing in the Middle of the Bow
23 Playing at the Tip of the Bow
24 Bowing at the Frog
25 Guided Practice #2: Playing at the Frog and Tip
26 Crossing Strings
27 Guided Practice #3: String Crossings
28 Whole Bow Strokes
29 Guided Practice #4: Whole Bow Strokes
30 Thumb and Left Hand Placement
31 Finger Action of the Left Hand
32 Finger Action and Finger Pressure
33 Adding Fingers to Bow Stroke
34 Tone Production 1: Finding the Ring Tones
35 2-3 Finger Spacing Pattern
36 Intonation: part 1
37 Left Hand Mobility and Relaxation
38 Playing Comfortably on the G String
39 Note Names for Finger Spacing Pattern 1
40 Guided Practice #5: Finger Spacing Pattern 1
41 Twinkle, Twinkle, Little Star Lesson 1: Variation A
42 Twinkle, Twinkle, Little Star: Lesson 2: Variation C
43 Twinkle, Twinkle, Little Star: Lesson 3: Variation D
44 Twinkle, Twinkle, Little Star: Lesson 4: Variation E
45 Twinkle, Twinkle, Little Star: Lesson 5: Variation B
46 Twinkle, Twinkle, Little Star: Lesson 6: Learning the Left Hand
47 Twinkle, Twinkle, Little Star: Lesson 7: Putting it All Together
48 Twinkle, Twinkle, Little Star: lesson 8: Twinkle Theme
49 Twinkle, Twinkle, Little Star: performance
50 Superstudies book 1: #5
51 Bow Retakes
52 A major scale
53 Superstudies book 1: #1
54 Skips with Finger Spacing Pattern 1
55 D Major Scale (note demonstration)
56 D Major Scale (practicing the scale)
57 French Folk Song
58 Lightly Row: tutorial
59 Song of the Wind: tutorial
60 Broken Third Pattern
61 Go Tell Aunt Rhody: tutorial
62 May Song: tutorial
63 Using 4th finger
64 Superstudies book 1: #4
65 O Come, Little Children: tutorial
66 Guided Practice #6: Skips, part 1
67 Guided Practice #7: Skips, part 2
68 Intonation: part II
69 Stiffness in the Wrist and Fingers of the Bow Arm
70 The Fluid Shoulder (aka Getting Rid of the Bounces)
71 Are You Sleeping in A major
72 Finger Motion: Fingers Move the Bow
73 Finger Motion at the Frog
74 Advanced Bow Hold
75 The Bow Hold in Motion
76 Building Flexibility into the Bow Hand
77 Daily Bow Hand Exercises for Developing Flexibility
78 Bow Arm Considerations: wrist and elbow levels
79 The Galamian Bow Arm
80 (FREE) Left Hand Squeezing: part 1: Why We Do It
81 Left Hand Squeezing part 2: Security Matters
82 Left Hand Squeezing: part 3 - Restructuring
83 Left Hand Squeezing: part 4 - Strengthening the Hand
84 Left Hand Squeezing: part 5 - How Much Space, Really?
85 Left Hand Squeezing: part 6: First Finger and the E string: No Scrunching!
86 Left Hand Squeezing: part 7: Extras
87 Left Thumb: Issues with Placement and Pressure
88 Long, Long Ago: tutorial
89 Allegro: tutorial
90 Perpetual Motion: tutorial
91 Block Fingerings
92 Allegretto: performance
93 Allegretto: tutorial
94 Slurs
95 Guided Practice #8: Slurs
96 Superstudies book 1: #2
97 Finger Spacing Pattern 2
98 Note Names for Finger Spacing Pattern II
99 Guided Practice #9 Spacing Pattern II, part 1
100 Guided Practice #10: Spacing Pattern II, part 2
101 G Major 2-octave scale
102 Intonation III
103 Bow Arm Tension: Getting Rid of the Bounce
104 Are You Sleeping in G major
105 Intonation IV
106 Superstudies book 1: #8
107 Lesson 54: Simple Gifts in G major
108 (FREE) Maintaining a "Straight Bow" part 1
109 Maintaining a Straight Bow prt. 2
110 Maintaining a "Straight Bow" prt.3
111 Maintaining a "Straight Bow" prt.4
112 Maintaining a "Straight Bow" prt.5
113 Maintaining a "Straight Bow" prt.6
114 Maintaining a Straight Bow #7: Fast Bows
115 Maintaining a Straight Bow #8: The Bi-Fold Door and the Bow Arm
116 More on Straight Bowing: part 1 Keeping on track
117 More on Straight Bowing: part 2 Tips for the Tall and Short
118 More on Straight Bowing: part 3 Getting stuck at the Frog and Improving Fast Detaché Strokes
119 Tip for Training detaché: the Resistance Band
120 Etude: tutorial
121 Fingertips hitting other strings
122 Tension when using the Low 2nd Finger
123 Finger Spacing Pattern 3
124 Note Names for Finger Spacing Pattern 3
125 A Major 2-Octave Scale
126 Guided Practice #11: Finger Spacing Pattern 3
127 Andantino: performance
128 Andantino: tutorial
129 Superstudies book 1: #10
130 Consistent Finger Placement and Intonation
131 Bow Weight
132 Bow Speed and Rhythmic Patterns
133 Bow Speed and Tone
134 Bow Tilt
135 Minuet #1: performance
136 Minuet #1: tutorial
137 Accidently Hitting Other Strings
138 Tuning with the Pegs
139 Third Finger Spacing Pattern 3 (Low Position)
140 B flat 2-Octave scale
141 Guided Practice #12: Finger Drills 1
142 Guided Practice # 13: Finger Drills 2
143 Guided Practice #14 Finger Drills 3
144 Minuet #2: performance
145 Minuet #2: tutorial
146 Minuet #3: performance
147 Minuet #3: tutorial
148 Smooth String Crossings
149 Independence Between Left and Right Hands
150 Gossec Gavotte: performance
151 Happy Farmer: tutorial
152 Happy Farmer: performance
153 Hovering Fingers
154 Finger Action: Slow Release
155 Finger Action: Slow Drop
156 Gossec Gavotte: tutorial, part 1
157 Gossec Gavotte: tutorial, part 2
158 Chorus from Judas Maccabaeus: tutorial
159 Elements of Tone Production: Sounding Point, part 1
160 Elements of Tone Production: Sounding Point, part 2
161 Elements of Tone Production: Sounding Point, part 3
162 Elements of Tone Production: Bow Pressure
163 Elements of Tone Production: Bow Speed
164 "Deeply Grow the Roots": Beginning Tutorial
165 Long, Long Ago (Suzuki Book 2) : tutorial
166 Hunter
167 Waltz: Suzuki Book 2: tutorial
168 Olivia
169 (FREE) Developing Good Rhythm and Sight-Reading Skills
170 Practicing with a Metronome
171 (FREE) String Crossings Series: part 1: Maintaining Tone
172 (FREE) String Crossings Series: part 2: Micro Levels
173 String Crossings Series: part 3: Coordination with Left Hand
174 String Crossings Series: part 4: Efficiency I
175 String Crossings Series: part 5: Efficiency II
176 String Crossings Series: part 7: Integration
177 String Crossings Series: part 6: String Crossing Exercises
178 String Crossing Exercises #1
179 String Crossing Exercises #2
180 String Crossing Exercises #3
181 String Crossing Exercises #4
182 Musette: tutorial
183 "Si Bheag Si Mhor": tutorial
184 Left Hand Conditioning: Strengthening and Stretching, part 1
185 Left Hand Conditioning: Strengthening and Stretching, part 2
186 Bouree by Bach: Suzuki Book 2 tutorial
187 Two Grenadiers: tutorial, part 1
188 Suzuki Book 2, Minuet in G: part 2
189 Suzuki Book 2: Minuet in G, part 1
190 Witches' Dance performance
191 Suzuki Book 2: Lully Gavotte, part 2
192 Two Grenadiers: tutorial, part 2
193 Two Grenadiers Performance
194 Witches' Dance: tutorial, part 2
195 Witches' Dance: tutorial, part 3
196 Gavotte from Mignon: performance
197 Gavotte from Mignon: tutorial, part 1
198 Gavotte from Mignon: tutorial, part 2
199 Gavotte from Mignon: tutorial, part 3
200 Suzuki Book 3: Gavotte in G minor (Bach)
201 Suzuki Book 3: Minuet (Bach)
202 Suzuki Book 3: Becker Gavotte
203 Violin Vibrato: Slow Motion Do
204 (FREE) Vibrato: Part 1: Basic Motion
205 (FREE) Vibrato: Part 2: Impulse Mechanism
206 Vibrato: Part 3: Learning Wrist Vibrato
207 Vibrato: Part 4: Learning Arm Vibrato
208 Vibrato: part 5: Adding the Bow
209 Vibrato: part 6: Next Level Exercises
210 Vibrato: part 7: Adding Pitch
211 VIbrato: part 8: Integrating
212 Vibrato: part 9: Continuous Vibrato
213 Vibrato:part 10: Vibrato in High Positions
214 Vibrato: part 11: The Gorgeous Vibrato
215 Vibrato: part 12: Gorgeous Vibrato, part 2
216 Vibrato help and clarification
217 Vibrato: What happens when the hand and arm work against each other
218 Vibrato: the Problematic G string Vibrato
219 Vibrato: Troubleshooting the Shaky Violin and the Climbing Left Hand
220 Arm Vibrato: Tight Knuckles
221 Vibrato: Wrist angles
222 Vibrato: (video response) Adding Finger Pressure
223 Vibrato Practice part 1
224 Vibrato Practice part 2
225 Vibrato Practice part 3
226 Bow Strokes: Detache, Legato, Marcato, Martele, Staccato
227 Sad Romance: a study in Romantic shifting
228 Bow Articulation: part 1: Overview
229 Bow Articulation: part 2: Mechanics
230 Bow Articulation: part 3: Practice Exercises
231 Whole Bows: (Legato at the Tip)
232 The Sustained Bow Stroke
233 The Staccato Bow Stroke (on the string)
234 The Staccato Bow Stroke (off the string)
235 Staccato Vs. Spiccato
236 Learning Spiccato: part 1
237 Learning Spiccato, part 2
238 Staccato Practice
239 Classical Bowing Articulation: 2-slur, 2-separate
240 Double Stops: part 1: Establishing Tone
241 Double Stops: part 2: Left Hand
242 (FREE) Double Stops: part 3: Intonation
243 Double Stops: part 4: Perfect Intervals
244 Double Stops: part 5: Difficult Intervals and Hand Position
245 Double Stops: part 6: Vibrato with Double Stops and Playing Octaves
246 Double Stops: part 7: Playing Double Stops in High Positions and Fiddling Double Stops
247 Double Stops: part 8: Introducing Ms. Trott
248 Shifting 101: Part 1 - Basics
249 Shifting 101: Part 2 - One finger shifting
250 Shifting 101: Part 3 - Coordinating Bow Direction and Shift
251 Shifting 101: Part 4 - One Finger Shifting Exercise
252 Shifting 101: Part 5 - Shifting Styles (Classical)
253 Shifting 101: Part 6 - Shifting Styles (Romantic)
254 Shifting 101: Part 7 - Shifting Styles (Hybrid and Romanticized Classical)
255 Shifting and Bow Changes
256 Shifting Training part 1: Modes of Travel and Rules of Engagement
257 Shifting Training part 2: Classical Shift ascending (low finger to high finger)
258 Shifting Training part 3: Descending (lower finger to higher finger)
259 Shifting Training part 4: Descending (higher finger to lower finger)
260 Shifting Training part 5: Ascending Scale (Higher finger to lower finger)
261 Shifting Training part 6: Down the Scale
262 Shifting Training: part 7a: One Finger Scales, part 1
263 Shifting Training: Part 7b One Finger Scales, part 2
264 Shifting Training: Part 7c One Finger Scales, part 3 (arpeggios)
265 Shifting Training: Part 8 (Shifting Exercise to develop hand shapes for high positions)
266 Meditation from Thais: phrase 1, performance
267 Meditation from Thais: phrase 1, tutorial part 1
268 Meditation from Thais: phrase 1, tutorial part 2
269 Meditation from Thais: phrase 1, tutorial part 3
270 Meditation from Thais: phrase 1, tutorial part 4
271 Meditation from Thais: phrase 2, performance
272 Meditation from Thais: phrase 2, tutorial part 1
273 Meditation from Thais: phrase 2, tutorial part 2
274 (FREE) Meditation from Thais: phrase 3, performance
275 Meditation from Thais: phrase 3, tutorial
276 Meditation from Thais: phrase 4, performance
277 Meditation from Thais: phrase 4, tutorial
278 Meditation from Thais: final phrase, performance
279 Meditation from Thais: final phrase, tutorial
280 Scale Studies: Introduction and Explanation
281 Fourth Position and Flat Keys
282 Scale Study #1: Frog to Tip Articulation
283 Scale Study #2: Bow/Finger Coordination
284 Scale Study #3: Quick Down Bows (bow distribution)
285 Scale Study #4: "The Fling" (Hooked Bowing Patterns)
286 Scale Study #5: Tuning Ocatves
287 Scale Study #6: "Karate Chop"
288 Scale Study #7: Training Up Bow Staccato
289 (FREE) Scale Study #8: Fast Fingers
290 Scale Study #9: Hair Pins
291 Scale Study #10: The Backwards Hair Pin
292 Scale Study #11: Down Bow Circles
293 Scale Study #12: Broad Hooked Bowing Pattern
294 Scale Study #13 Wohlfahrt bowing pattern
295 Scale Study #14 Scallop stroke
296 Scale Study #16 Hug Your Bridge
297 Scale Study #15: Zig-Zag bow stroke
298 Scale Study #17: Slow to Fast Hooked Bows
299 Three Against Two
300 Art of Practicing: part 1: Isolating
301 Art of Practicing: part 2: Zoom In
302 Art of Practicing: part 3: Extreme Conditioning
303 Art of Practicing: part 4: More Extreme Conditioning
304 Art of Practicing: part 5: Changing the Landscape
305 Advanced Tone Production: part 1: Using More Bow (Extremities)
306 Advanced Tone Production: part 2: Using More Bow (Point A to B)
307 Advanced Tone Production: part 3: Using More Bow (10 percent?)
308 Advanced Tone Production: part 4: Using More Bow (Full Breaths)
309 Positions: part 1: Overview
310 Positions: part 2 Position Location
311 Positions: part 3 Why Letter Names
312 Positions: part 4: How We Know We're There
313 Positions: part 5: Finger Spacing Patterns and Exercises
314 Positions: part 6: Interval Spacings
315 Positions: part 7: Left Hand Considerations
316 Positions: part 8: Finding 3rd Position
317 Positions: part 9: Exercises for Establishing the 3rd Position Hand Frame
318 Positions: part 10: Shifting After an Open String
319 Positions: part 11: Tip for Improving Intonation
320 Positions: part 12: More Exercises
321 Positions: part 14: Amazing Grace in 3rd position
322 Positions: part 13: Continuing Your Training
323 Violin and Viola: Difference pt.1
324 Violin and Viola: What's the difference? part 2
325 Martele (Marcato) Bow Stroke
326 Harmonics
327 Witches' Dance: tutorial, part 1
328 "What to Look For When Buying a Bow"
329 Sad Romance Accompaniment
330 Sad Romance beginning tutorial
331 Sad Romance beginning tutorial, part 2
332 Expressive Phrasing 101: Basic Requirements part 1
333 Expressive Phrasing 101: Basic Requirements part 2
334 Expressive Phrasing 101: Basic Requirements part 3
335 Expressive Phrasing 101: Basic Requirements part 4
336 Expressive Phrasing 201: Beyond the Dynamics, intro
337 Expressive Phrasing 201: Beyond the Dynamics part 1 (Crescendos and Decrescendos)
338 Expressive Phrasing 201: Beyond the Dynamics part 2 (the Taper)
339 Expressive Phrasing 201: Beyond the Dynamics part 3 (Training the Taper)
340 Expressive Phrasing 201: Beyond the Dynamics part 4 (Adding Emphasis)
341 Expressive Phrasing 201: Beyond the Dynamics part 5 (Contouring 1)
342 Expressive Phrasing 201: Beyond the Dynamics part 6 (Contouring 2)
343 Expressive Phrasing 201: Beyond the Dynamics part 7 Conclusion
344 Trills
345 Practicing with a Drone for Improving Intonation
346 Sautille Bow Stroke
347 Sautillé Bow Stroke, Part 2
348 Suzuki Book 2: Lully Gavotte, part 1
349 Suzuki Book 2: Boccherini Minuet
350 Scale Rounds: Explanation and Instructions
351 Scale Rounds: Explanation and Instructions, part 2
352 Finger Spacing Patterns: Preparation for Scale Rounds
353 G Harmonic Minor Scale Round: Note-By-Note
354 Greensleeves (What Child is This): fingerings (2011)
355 Silent Night (fingerings close-up) (2011)
356 Deck the Halls (2011)
357 When to Use 4th Finger vs. Open String
358 Improving Rhythmic Skills: part 1: Overview
359 Improving Rhythmic Skills: part 2: Exercise for Developing Internal Beat
360 Improving Rhythmic Skills: part 3: Visual Organization
361 Improving Rhythmic Skills: part 4: Score Study
362 Improving Rhythmic Skills: part 5: Daily Drills
363 Improving Rhythmic Skills: part 6: Working with "Rhythm a Week"
364 Superstudies book 1: #15
365 Superstudies book 1: #17, 18
366 Superstudies book 1: #14
367 Red, Red Rose performance with 3rd position shifts
368 Red, Red Rose Close Up Fingerings
369 Red, Red Rose Tutorial
370 Rhythm App: Rhythm Sight Reading Trainer
371 Intonia: Intonation Improving Software
372 Rhythm: Staying On the Off Beat
373 The Collé Bow Stroke: Part 1
374 The Collé Bow Stroke: Part 2, Collé vs. Finger Motion at the Frog
375 Sautillé and Seitz Violin Concertos
376 (Workshop 2012) Scaludes by Kristin Turner: part 1
377 (Workshop 2012) Scaludes by Kristin Turner: part 2
378 (Workshop 2012) Vibrato Class by Bill Dick: part 1
379 (Workshop 2012) Vibrato Class by Bill Dick: part 2
380 (Workshop 2012)Literature Survey: Intermediate/Advanced. part 1
381 (Workshop 2012) Literature Survey: Intermediate/Advanced, part 2
382 (Workshop 2012)Shifting by Bill Dick: part 1
383 (Workshop 2012) Shifting by Bill Dick: part 2
384 Practice Techniques: Part 1 - Tone and Intonation
385 Practice Techniques: Part 2 - Coordination (Varied Bowing Patterns)
386 Practice Techniques: Part 3 - Coordination (Accents)
387 Practice Techniques: Part 4 - Speed (Rhythm Variations)
388 Practice Techniques: Part 5: Speed (Bursts)
389 Practice Techniques: Part 6: Fine Tuning
390 Suzuki Book 2: Lully Gavotte performance
391 "Deeply Grow the Roots": Advanced tutorial
392 Suzuki Book 3: Martini Gavotte part 2
393 Christmas Carols 2012: up close fingerings
394 Christmas Carols 2012: tutorial
395 Tutorial for Christmas Carols 2011
396 Suzuki Book 3: Humoresque, part 1
397 Suzuki Book 3: Humoresque, part 2
398 Suzuki Book 3: Humoresque, part 3
399 Suzuki Book 3: Gavotte in D Major, part 1
400 Suzuki Book 3: Gavotte in D Major, part 2
401 Suzuki Book 3: Bourée
402 Suzuki Book 3: Bourée, part 2
403 Suzuki Book 3: Martini Gavotte part 1
404 Vivaldi A Minor Concerto 1st movement: Roy Sonne pt.1
405 Vivaldi A Minor Concerto 1st movement: Roy Sonne pt.2
406 Vivaldi A Minor Concerto 1st movement: Beth, pt. 1
407 Vivaldi A Minor Concerto 1st movement: Beth, pt. 2
408 Vivaldi A Minor Concerto 1st movement: Beth, pt. 3
409 Vivaldi A Minor Concerto 1st movement: Beth, pt. 4
410 Vivaldi A minor Concerto 2nd movement: Roy Sonne pt.2
411 Vivaldi Concerto in A minor 2nd movement by Beth
412 1 Wohlfahrt Etude op.45 #1
413 Vivaldi A Minor Concerto 3rd movement: Roy Sonne prt.1
414 Vivaldi A Minor Concerto 3rd movement: Roy Sonne prt.2
415 Vivaldi A Minor Concerto 3rd movement: Beth Blackerby
416 2 Wohlfahrt Etude op.45 #8
417 3 Wohlfahrt Etude op.45 #3
418 Tuning Systems (Pythagorean, Just, Equal Temperament)
419 4 Wohlfahrt op.54, no. 2
420 5 Wohlfahrt Etude op.45 #2
421 25 Wohlfahrt Etude op.54 no.10 (The Pinky Buster)
422 6 Wohlfahrt Op. 45 no. 4
423 7 Wohlfahrt Op. 45, no.18
424 Wohlfahrt Etude #10 op.45 #7
425 Wohlfahrt Etude #11 op.54 #6
426 Wohlfahrt Etude #13 op.45 #16
427 Wohlfahrt Etude #17 op.54 nos. 9 and 8
428 Wohlfahrt Etüde #40, op. 45 no. 20
429 Wohlfahrt Etüde #19, op. 74 no. 6
430 Wohlfahrt Etüde #21, op.54 no. 12
431 Wohlfahrt Etüde #38, op.45 #12
432 Left Hand: Contact, Balance, Vibrato part 1
433 Left Hand: Contact, Balance, Vibrato part 2
434 Left Hand: Contact, Balance, Vibrato part 3
435 Wohlfahrt Etüde #16, op.45 #9
436 Up Bow Staccato: via Kreutzer Etude #4
437 Spiccato Styles: broad and brushy vs. light and delicate
438 Zombie Caprice Music Video
439 Zombie Caprice Tutorial
440 Clean Up Your Playing (Behind the Scenes) part 1
441 Clean Up Your Playing (Behind the Scenes) part 2
442 Clean Up Your Playing (Behind the Scenes) part 3
443 Clean Up Your Playing (Behind the Scenes) part 4
444 Seitz Concerto no. 2 in G, 3rd mvmnt. (Suzuki Book 4): part 1
445 Seitz Concerto no. 2 in G, 3rd mvmnt. (Suzuki Book 4): part 2
446 Seitz Concerto no. 2 in G, 3rd mvmnt. (Suzuki Book 4): part 3
447 Seitz Concerto no. 2 in G, 3rd mvmnt. (Suzuki Book 4): part 4
448 Tremolo
449 Seitz Concerto in D Major #5, 1st movement part 1
450 Seitz Concerto No. 5 in D Major, 1st mvmnt. part 2
451 Seitz Concerto No. 5 in D Major, 1st mvmnt. part 3
452 Dr. Stephen Redfield: Vibrato Interview: Good Vs.Bad
453 Dr. Stephen Redfield: Vibrato Interview: part 2 Styles of Vibrato
454 Dr. Stephen Redfield: Learning Vibrato: Step 1 Identifying the Motion
455 Dr. Stephen Redfield: Learning Vibrato: Step 2 "Points of Contact"
456 Dr. Stephen Redfield: Learning Vibrato: Step 3 "the Paper Trick"
457 Dr. Stephen Redfield: Learning Vibrato: Step 4 "Integrating"
458 Dr. Stephen Redfield: Learning Vibrato: Step 5 "Control"
459 Dr. Stephen Redfield: Expressive Qualities of Vibrato
460 Dr. Stephen Redfield, part 2: Musicality and Expression
461 (FREE) Dr. Stephen Redfield: Establishing Personal Voice
462 Dr. Stephen Redfield, part 3: Varying Bow Speed
463 Dr. Stephen Redfield, part 5: Varying Sounding Point
464 Dr. Stephen Redfield, part 6: Finger Motion
465 Dr. Stephen Redfield, part 7: Cole Bow Stroke
466 Dr. Stephen Redfield, part 4: Importance of Etudes
467 Dr. Stephen Redfield, part 8: Bow Pressure
468 Dr. Stephen Redfield, part 9: Bow Angle
469 (FREE) Dr. Kirsten Yon: Part 1 - The Relaxed Left Hand
470 (FREE) Dr. Kirsten Yon: Part 2 - The Relaxed Left Hand
471 Dr. Kirsten Yon: Part 3 - Drop and Release Finger Action
472 Dr. Kirsten Yon: Part 4 - Feeling of Release in Practice
473 Dr. Kirsten Yon: Part 5 - Expunging Tension in the Bow Arm
474 Dr. Kirsten Yon: part 6- Learning Finger Motion for Legato Bow Strokes
475 Dr. Kirsten Yon: part 7- Learning Vibrato
476 Dr. Kirsten Yon: Part 8: Tuning Conscience
477 Dr. Kirsten Yon: Part 9, Physiology of Intonation
478 (FREE) Dr. Laurie Scott, part 1: Getting Comfortable Holding the Violin
479 Dr. Colleen McCullough: part 1: Classical Style and Mozart
480 Dr. Colleen McCullough: part 2: Practicing Shifts
481 Dr. Colleen McCullough: part 3: Practicing Musicality
482 Dr. Colleen McCullough: part 4: Technical Maintainance
483 Dr. Colleen McCullough: part 5: Attending to Set Up for Good Intonation and Shifting
484 Dr. Colleen McCullough: part 6: Varying Vibrato Speed
485 Dr. Laurie Scott, part 2: Preparing to Shift
486 (FREE) Dr. Laurie Scott, part 3: Left Hand Thumb Placement
487 Dr. Laurie Scott, part 4: Walking Fingers
488 Dr. Laurie Scott, part 5: Smooth String Crossings
489 Dr. Laurie Scott, part 6: Finger Independence
490 Dr. Laurie Scott, part 7: Changing Finger Spacing Pattern
491 Dr. Laurie Scott, part 8: Coordination and Bowing
492 Dr. Laurie Scott, part 9: Training Vibrato
493 Dr. Laurie Scott, part 10: Practice Time
494 Dr. Paula Bird, part 1: Awareness of Tone I
495 Dr. Paula Bird, part 2: Awareness of Tone II
496 Dr. Paula Bird, part 3: Awareness of Tone III
497 (FREE) Dr. Paula Bird, part 4: Maintaining Relaxed Bow Hold
498 Dr. Paula Bird, part 5: Maintaining a Relaxed Bow Arm
499 Dr. Paula Bird, part 6: Developing Intonation I
500 Dr. Paula Bird, part 7: Intonation II
501 Dr. Paula Bird, part 8: Learning Vibrato
502 Dr. Paula Bird, part 9: Vibrato Rounds
503 Dr. Paula Bird, part 10: Wrist vs Arm Vibrato
504 Dr. Paula Bird, part 11: Practice Tip - Make a Plan
505 Dr. Paula Bird, part 12: Practice Tip - Rubber Band Analogy
506 Elise Winters: Bow Weight and Tone Production
507 Elise Winters, part 2: Maximizing Tone and the Bow Hold
508 Elise Winters, part 3: Maintaining Relaxed Bow Hold
509 Elise Winters, part 5: Triplet Boomerang
510 Elise Winters, part 4: Spiccato
511 Elise Winters, part 6: Finding Ring Tones
512 Elise Winters, part 7: Contextual Tones
513 Martha Carapetyan, part 1: Increasing Comfort Holding the Violin
514 Martha Carapetyan, part 2: Increasing Comfort Holding the Violin
515 Jessica Matheas: Warming Up with Kreutzer
516 Jessica Matheas: Franco-Belgian Bow Arm
517 Dr. Glen Leupnitz: Why Learning Violin as an Adullt is Essential to Brain Health
518 Daniela Shtereva Interview, part 1
519 Daniela Shtereva Interview, part 2
520 Dan Kobialka: part 1: Movement and Playing
521 Dan Kobialka: part 2: Finger Motion Exercise
522 Dan Kobialka: part 3: Spiccato
523 Dan Kobialka: part 4: Finger Release
524 Dan Kobialka: part 5: Teaching Technique for Setting Up the Left Hand
525 Dan Kobialka: part 6: Thumb Angle
526 (FREE) Dan Kobialka: part 7: Spacial Awareness and Intonation
527 Dan Kobialka: part 8: Foundation Fingers.
528 Dan Kobialka: part 9: Vibrato Motion Exercise
529 Dan Kobialka: part 10: Descending Shifts
530 Dr. Colleen McCullough: part 7: Learning Vibrato
531 Dr. Colleen McCullough: part 8: Mystical Intonation
532 Dr. Colleen McCullough: part 9: Invaluable Lesson of Recording Yourself
533 Roy Sonne: How to Play Fast - Developing Speed in the Rigaudon
534 Roy Sonne: Czardas: part 2
535 Roy Sonne: Czardas: part 1
536 Preliminary Shifting Exercise: part 1
537 Preliminary Shifting Exercise: part 2
538 Air Galicien